May 2010

Turistas. Hostel. The Beach. These are all examples of Hollywood’s poor representations of traveling with a budget and a backpack. So it was refreshing to finally watch A Map for Saturday, a documentary by Brook Silva-Braga that takes a realistic look into the world of long term solo backpacking.

While my month-or-sos away would not be considered long term by non-U.S. citizens who go away for longer, I found that I could relate to most of the content in the movie—the initial loneliness, learning how to meet people, settling into the coming and going, traveler’s guilt and what it’s like when you have to go home. Throughout the film, I felt like I was reliving many of the emotions I’ve had abroad.

There were moments where I thought the movie was a little vapid. I think this stemmed from my wanting there to be more of an underlying story or a unique angle. Something more edgy and captivating than following yet another advantaged young person on the road. But all in all,  it’s a solid backpacking documentary full of inspirational tidbits. I’d recommend it for any past or potential backpackers.

As the film began, a traveler being interviewed by Silva-Braga supplied this quote about one of the most profound transformations traveling lightly and cheaply can instigate:

“When you have everything on your back, material goods don’t mean as much as they used to. That’s something you take with you for the rest of your life.”

{ 4 comments }

I can’t recall exactly how old I was when I went on my first and only trip to Las Vegas. I do remember that I was a teenager who was too young and too caught up in being surly to appreciate the beauty of the desert. I was reluctantly along for the ride on a family road trip through the Southwest in the middle of the summer heat.

After hitting up various national parks in Arizona and Utah, Las Vegas was our final stop. I still remember my initial view of the city. Miles of dust and nothingness behind us, a Strip of chaos suddenly emerged through the desert haze. “WTF?!” I thought as I realized it was not a mirage.

Over two or three days in Vegas, we saw a fake Eiffel Tower, walked by an indoor fake gondola ride complete with seatbelts, wandered around a fake New York City and went to see a variety show with performances by fake celebrities. It was all pretty incomprehensible. I mean, why pour all sorts of money into cheesy shows and gambling at fake cities when you could save those funds for authentic experiences at the authentic versions of those places?

Several years later, and beyond the age that allows one to take full advantage of Las Vegas, I have yet to go back. While the idea of exploring the desert has become more appealing, returning to Vegas has not. I’ve never sought the young adult Las Vegas experience. But it found me.

When my friend asked me to be in her wedding, I felt honored and agreed to be a bridesmaid. She has been a great friend over the years and is easy going, so I knew she wouldn’t turn into the type of bride who terrorizes the Oxygen network. And she certainly hasn’t.

But she began to make a quiet request that made me nervous. At first, I would pretend I didn’t hear it or I would quickly change the subject. But as time went on, the request became a little louder and more concrete. “I want to go to Vegas for my bachelorette party!” followed by an excited smile. I caved.

Now I know there is more to Vegas than the image it tends to project. But it is a bachelorette party, and as far as I can see, it will follow the typical bachelorette-in-Vegas itinerary: a large group, what I like to refer to as “clubby-clubs”, coordinated outfits for a night out, a Chippendale’s Show (!) and likely a ton of posing for pictures.

Before booking a flight, I spent some time examining a couple of the main reasons why I am not into having that sort of Vegas experience: (1) Vegas epitomizes a vast collection of ideas that make me gag. (2) It very much goes against the way I like travel and the way I see myself as a traveler.

Number one is not likely to change, but I had to think about number two a little more. A huge part of my love of travel has been the anthropological aspect of it; a desire to experience other cultures firsthand. Over time, I’ve accepted that there are many micro-cultures in the United States. So why would I refuse to look at Vegas as one of them?

As the trip approaches, I am nervous, but have been attempting to develop a “don’t knock it until you’ve tried it” mantra. Maybe it could be like some of the strange foods I’ve tried on my travels— it looks unappealing, but turns out to surprisingly tasty. Or at least tolerable. If nothing else, it will be a weekend of celebration with friends and a peek into yet another culture I might never fully understand.

{ 14 comments }

Laos was my Southeast Asia savior. I am sure I will delve more into that story at a later point, but I’ll just say that traveling through the country of Vietnam was rough and I’d felt less than welcome there. When I crossed the border into Laos, the immediate mellowness and realness of it was exactly what I’d needed at that point. In the city of Vientiane, with each pleasant interaction, I felt like the country was welcoming me with a gentle, “Sabaideee!”

I was eager to check out Vientiane nightlife scene, so I headed out into town with my guide. We were pretty surprised when we reached the Mekong River’s edge and found a huge festival in progress. Tons of people were out, there were people in costumes riding unicycles, and a band was playing an awesome mix of ska, chanson and punk. When the band finished their set, party music blasted through the loudspeakers.

A song came on and I recognized the percussion beat, and eventually added to that were familiar bass and guitar lines. “No, it can’t be that song, not in Laos,” I thought. But surely enough, as a voice chimed in, I realized it was the song I was thinking it was— Disco Africa, a fairly obscure 70s afrofunk song from Ghana:

{ 5 comments }