September 2010

It is time for our group salsa lesson, the hour of our evening that we naively believe will give us the skills we need to work up the nerve to dance with the Cubans. Our instructor and her assistant are patient and serious, but I can see their eyes smile with amusement as they try to teach seven goofy foreigners the basics of salsa and rumba.

They are not the only ones indulging in entertainment we provide. Every time we catch a glimpse of the window, we see heads popping up, taking stock of our new skills or lack thereof. People also walk in and out of the studio during our lesson and linger to watch. It seems like half the town has showed up to view the comedy show we didn’t know that we would be putting on.

After dinner, we all meet up at one of the casa particulares. It’s the house of Alberto*, the man who couldn’t stop laughing when he overheard our tour guide explaining to another casa owner what the Aussie vegans would and would not eat. Alberto is small and animated and a lovely host. It takes just a few moments for me to realize he is gay. He says to us, “I saw you guys at your dance lesson.” He smiles mischievously and says no more. The Sydney boys bring rum and he gets fresh mint from his garden and we make mojitos.

But then it becomes known that he could get in trouble for having foreigners over who aren’t staying at his casa. To others, it could look like he selling meals to foreigners off the record. And this could attract negative attention from the government.

So we move our party to the steps of the town square. The Sydney boys replenish our drink supply, but we have no cups. Someone simply goes into the club to ask for cups and they come out with several. I am surprised at the ease with which they’ve acquired them. In the States, the response would likely be something like, “Buy your drinks here, or leave us alone.”

We intend to eventually go into the club and try out our salsa steps, we really do. But the town square turns out to be entertaining far beyond what we could have imagined. On the steps, our group is joined by our bus driver, Alberto, and a few of Viñales’s most unique characters.

The first of our new friends is a guy we nickname, “Mr. Fabulous”. We’d seen him the day we’d arrived and his look surprised me. Vinales was not place where I’d expected to see someone sporting an asymmetrical dyed black emo haircut and pants so tight that they looked painted on. As soon as I saw him, I knew I needed to get to know him. I had shared my sentiments about this with the Aussie couple.

So as he approaches our group, they join me in my excitement. He is a friend of Alberto’s and hairdresser in town. As he chats with Alberto, I can tell he is sizing us up, determining whether or not he’ll hang out with us. We seem to pass the test and he stays and mingles and shares his flamboyant fabulousness with us.

Alberto decides to share a secret. He turns to the female half of the Aussie couple and says, “I have something to tell you.” He pauses. “I’m gay.”

“I know,” she responds.

He leans over her towards me to let me know, and we basically repeat the same lines. I explain to him that I don’t care. I tell him that I live in San Francisco, after all. He looks at me with a blank stare. I can tell he has no idea San Francisco has a reputation for being a mecca for gay males. He asks the Aussie, “What about your boyfriend? Does he know?”

She says, “Yes, he does, and he doesn’t care.”

We try to explain that the whole group knows and everyone likes him just the same. We tell him that we’re all pretty much from liberal cities with an “anything goes” vibe. But again, he stares at us blankly and skeptically, clearly not being able to fathom the places we come from. The people of the town seem to be friendly with Arturo and Mr. Fabulous and their friends. They are well-liked and respected. But when we ask for details on whether or not it’s always been the same way, we don’t get a clear answer.

Also hanging out in the square is the the town clown who has orange striped hair like a cat. He was one of the salsa lesson crashers we’d encountered earlier. That night, he is determined to put on a show for us. He dances a strange concoction of salsa-ish and tap dance-ish moves with such conviction that just for a moment, I wonder if he’s a dance move creative genius. Intermittently, he throws in a silly handstand to mix things up. The people of the town are obviously used to him and they are subtly compassionate towards him the way they might be to members of their own families.

We have such a great time meeting new people that we never go into the club before it closes. We see our guide exit the club amongst the last people to leave. He is arm and arm with a woman. It was hard not to assume that a relatively high income made it easy for him, with his highly tacky persona and all, to easily attract women. More than once we would see him in the same beauty and the beast situation.

More than once we would hear stories of people who left their jobs behind to work in the tourism industry where tips give people the opportunity to earn more than the average Cuban. Our guide had once been a teacher. Alberto had previously been a nurse. Both respectable jobs, but not ones that provided extra income in the form of tips from foreigners. In Cuba, you can find people who wistfully want more, but there are often undertones of apprehension and caution about what “more” will bring.

Like I  had hoped when we arrived in Viñales, it is a place that is willing to let people in. When we finally leave the square and return to our casas, the mojitos have long worn off. But our travel buzz, the kind that comes from the ascension to discovery, has been steadily growing.

*Name has been changed

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I wasn’t always interested in Afro-Latin music. In fact, as a kid, I used to dread Sunday afternoons when my parents would listen to a Latin music program on the local public radio jazz station that went on for hours. But fortunately, time brought me an expansion of tastes, and several years ago, I had an Afro-Latin music awakening. Soon, my distaste for the genre transformed into appreciation. And then appreciation grew into love.

Afro-Latin music just makes sense to me. It takes West African music, adds some European influence, and sprinkles in some other cultures. It’s a kind of mash up that is akin to my life story.

I was recently asked if I heard really good music in Cuba and how it compared to the live Cuban music I’ve seen here. It doesn’t compare. The fluency with which people play there and the absorption of the environment into the music made the shows I saw in Cuba several times more amazing than anything I’ve seen in the States.

And the same entanglement with the people and the landscape that made the live music so incredible also made the Cuban(ish) music I brought to listen to perfect for the time we spent on the road observing and discovering Cuba. Here are some of my favorites:

» Ibrahim Ferrer – Candela

» Celia Cruz – La Vida Es Un Carnaval

» Orishas – 537 C.U.B.A.

» Yerba Buena – La Candela

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When it comes to photography, plants are often my favorite subjects to capture. In the countryside and nature of Western Cuba, there were plenty of opportunities for me to indulge in this passion:

It was incredibly hot and humid, but with this kind of scenery, we barely noticed.

A mango tree. I love the way they grow.

I have never before seen palm trees growing on a mountain. It’s a very cool sight.

Looking up at a Royal Palm, the national tree of Cuba.

Technically, it was called an orchid garden (rather than a botanical garden as I called it in my previous post) so the focus was on the many wonderful varieties of orchids.

A bug eating plant. Note the fly on the left side of the plant. We waited patiently for the plant to eat it, but it refused to give us a show.

The view at the beginning of our hike in the Viñales Valley.

A hefty looking tree that is a type baobab.

Dried tobacco leaves in the warehouse where we had our cigar rolling demonstration.

The postcard image of the Viñales Valley and its mogotes.

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