October 2010

Every morning in Mazunte, I would go outside to wait for the sun and greet it as it rose from behind sea cliffs in the distance. I’d lay in my hammock and soak in that special mist and magic that is reserved for dawn. Being up at sunrise is so natural in Middle of Nowhere, Tropical Location.

As I watched the sun on my first morning, I was approached by a man who worked at the hotel. He asked me if I wanted to go on a boat tour with some fisherman at 8am. Why not? I gave him some pesos and he returned with a small piece of a paper he’d ripped off a document and told me to write my name on it. That was my ticket.

The young French-Canadian couple who was staying at my hotel also went on the tour, and we were joined by a German woman in her late twenties. There were large rings of circles in the sand and I asked the German woman about them. We spoke back and forth in broken English until I understood what she was saying, it was a hippie from the village who came on the beach at night and made those circles. I’d heard Mazunte had a hippie population, and tried to decipher the looks on people’s faces when they talked about them. I’d later explore what was behind those looks, after exploring the ocean.

When the boat was ready to head onto the water, it seemed like a sizable chunk of the men in the village were on the beach with us. It wasn’t clear who was who and how many people would be heading out with us. One of them told us to get into the boat and they all began to push us. Once the boat was on the ocean, a fisherman and two boys quickly hopped in, and we were off.

Along the way, the fisherman and the boys pointed out the different beaches. One of them was Zipolite. It was completely empty at that time and shoots of water sprayed up vertically into the air where waves and shore collided. The water was so beautifully harsh in the early morning light, as long as it was viewed from a distance. On the coast of Oaxaca, the current is strong, and not all coastlines are meant to be explored up close.

More than once, we saw sea turtles in the middle of the ocean. On our second sea turtle run-in, we discovered firsthand that it was mating season.

And then there were dolphins, a whole school of them. I could tell that the fisherman knew dolphins. With expertise, he zigzagged and followed them and pointed in the direction where they would pop up in next. I don’t know how to describe the magnitude of those graceful minutes of watching the dolphins, and I have no pictures of them. It wasn’t a moment for fumbling with a camera; it was a moment for fully absorbing before it passed.

It seems so often that human observation of wild animal life involves some sort of containment or contrived set up. I understand that this creates accessibility, but at what cost? Do people really need to swim with dolphins and watch them do tricks at the prompt of a fish? Do dolphins want to swim with us? And what long term effects do these planned encounters have on the way people interact with animals in the wild?

Those are all questions I want to answer at some point. Right now, what I can say with full confidence is that to simply see a school of dolphins being dolphins in their natural habitat of vast sea is more than enough for me.

Later, we stopped and they let us out to snorkel. It was deep and murky in the spot where they dropped us off, so there was hardly anything to see. But we continued to swim and poke around for awhile because the fisherman and the boys seemed eager for us to do so.

As we returned to Mazunte, we were dropped off a little bit short of the shore. As I swam and then walked toward the beach, waves pelted my back, trying to knock me down and drag me by my feet back to the sea. The ocean was so strong and tempting, so prime, but I pushed forward onto the beach. I headed up the stairs to my hotel to drink coffee and wash the sand out of my bathing suit.

But the fisherman didn’t resist the sea like we did; he and the boys never got out of the boat. The instant we were safely back on land, they were already heading back out onto the ocean to resume their daily work and their lives.

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The Mad Drive to Mazunte

by Ekua on October 25, 2010 · 19 comments in Mexico

I’ve known crazy roads and even crazier drivers. In Ghana, I got to know potholed dirt roads during heavy tropical rain where cars drove  in every direction in any lane. I saw tro-tros stop in the middle of the road because their engines fell out and I rode with drivers who continually honked at and dodged chickens and goats.

In Cambodia, I got to know the “Dancing Road” which forced me to bounce against my will (although I hear it’s now been paved) and bus drivers who refused to slow down and bumped into a cow or a moped driver as a result (two separate incidents where both victims were fortunately able to walk away from the accidents).

In Bolivia, I got to know bus drivers who left for the middle of nowhere with not enough gas, gave offerings to dogs for a safe journey, and drove the bus in reverse around the corner on the edge of a mountain so that another bus or truck could pass on a narrow road.

I thought I had nerves of steel when it came to foreign roads, but it turns out there is still a lot more to know that I really don’t want to know. This was what I learned on my journey from the city of Oaxaca to a little beach town called Mazunte. After three nights in Oaxaca, I decided to head to the coast of Oaxaca state. To save on money and time, I opted to travel by van rather than bus. Going by van, you take a shorter route that the large buses won’t travel on. That should’ve been a clue.

Another clue should’ve been my Mexico Lonely Planet, which  told me that van drivers are flexible about stopping to let people use the restroom or take a photo… “or vomit, as some people tend to do on this route.” I brushed this aside thinking it would be just pleasant mountainous drive that might be a little windy here and there. Wrong.

The trip started off with getting caught in traffic for an hour and a half on a dusty two lane road before we’d even gotten out of the city. Then not long after that, we were stopped at a military check point. Men (and some who looked like boys) with XXL guns came by and opened the trunk. They saw a backpack. They wanted to know whose it was. The van driver pointed to me. It was mine. I was the only foreigner in the van.

I read the military men’s eyes as they watched me get out of the van and could tell that they were more sympathetic than hostile. Perhaps they’d noticed I was a solo female traveler, because I could tell that when they saw me, they didn’t want to search my bag, but had to follow through anyway. I smiled as charmingly  as I could and let them halfheartedly poke around my bag for a few seconds before they zipped it up and gently put it back.

Back on the road, we headed deeper into undeveloped territory. As we went higher up in the mountains, I was happy to be sitting in the front and on the cliff side for much of the ride. It was incredible scenery; the villages in the clouds and the deep valleys below. As we drover further and came down from the mountains, we began to enter the tropics and a pounding tropical thunderstorm. This was where things got exceptionally sketchy.

On that day, I truly began to understand the meaning of “hairpin turns”. But it wasn’t just the miles of curvas peligrosas we traveled that had me terrified, it was the driver who drove like a maniac the whole way. The rain intensified and visibility decreased. Parts of the road were flooded with water. In other parts, mud or chunks of rocks slid from the hills onto the road. And still the driver zoomed along like an insane NASCAR driver overtaking other vans around corners on the two-lane rain, mud, and rock laden road. I hoped the beach would be worth it.

It wasn’t until we were done with the windiest part of the road that the rain finally eased up. Of course. I unglued my hands from whatever surface they were clamped onto and relaxed into my chair. And then we reached Pochutla, the town where we’d be dropped off. I knew the town wouldn’t be spectacular, but I didn’t expect to find it so unnerving.

I couldn’t tell if there was an event going on, or if it was just regular evening in Pochutla, but it seemed like a town for crazy people. I was not even close to dark and firecrackers were being set off at regular intervals. A group of teenage boys in masks ran through the town, chasing small children. The streets were full of loud people and traffic and we inched along to the van station. I rolled down my window to get some air, and people gawked as they saw me. A smiling man walked alongside our van and shouted to me, “Pochutla! Bienvenidos a Pochutla! Lady de Black! Lady de Black!” I smiled back while thinking, “No need to welcome me, I’m leaving ASAP!”

When we finally got to the van station, I immediately searched for the next available transportation to Mazunte.  I could try to find a camioneta, a pickup truck where you ride in the back. Or I could take the taxi that was right across the street. The taxi won. I hear camionetas are fun and I might have tried it in a different situation, just for the experience. But I’d had enough “experience” for the day.

It wasn’t long after leaving Pochutla that the scenery once again became nature-filled and peaceful. When we arrive in Mazunte, the taxi driver began to turn up a hill toward the hotel I wanted to stay at. We drove up an unpaved rocky road past a graveyard. And then we stopped. I sighed, hoping once again, that Mazunte would be worth the effort. I still had yet to see a beach or ocean and I had doubts.

I found the hotel owner and he showed me around. He seemed a little strange to me, but there was an oceanfront cabaña available and I liked that there were just two other people staying at the hotel/campground, a couple from Quebec. Mazunte seemed like a good place for solitude and ocean. I negotiated a price with hotel owner. My very basic and rustic padlocked room had a view, which was nice, but even better was the porch in front of it. I dropped my stuff off went back outside to settle into a hammock overlooking the ocean. Yes,” I thought. “This is worth it.”

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Long wanderings in Oaxaca were a daily routine for me, and these walks inevitably led to art.  Oaxaca is one of those cities where any bare surface has the potential to become a gallery—a step in a square or a grimy wall is an ideal place to add a little color or share your opinion. In addition to the street galleries, I visited several official galleries and museums that often displayed art with heavy progressive undertones, an ironic juxtaposition to the colonial buildings they were housed in. Here are some shots of the art I encountered in Oaxaca:

Found on the streets:

Found in galleries:

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