movies with movement

Travel for Travel’s Sake

by Ekua on February 6, 2012 · 4 comments in backpacking,general travel,movies with movement,why i travel

If you follow my blog regularly, you may have realized that I have a penchant for the journey aspect of travel — all the things you see and experience while moving from one point to another. The points might be what have attracted me to a place, but I love the discovery — self or cultural — that occurs in the process of getting there.

The internet is saturated with short travel videos that focus on the said points, many of them full of beautiful image after beautiful image, many of them in time lapse form. But when it comes to actual travel, how realistic are these videos? So much of travel is the movement; the in betweens are often the meat of it.

One of the first things that struck me about this video was how much watching it felt like travel feels for me. Sometimes it’s sublime moments in beautiful famous places, but much of it is exploring a new place propelled by my own feet and the unique people you meet along the way and sometimes being crowded in a boat with other tourists who signed up for the same thing and adjusting to another country’s way of moving about and looking at the world through a dirty window and seeing it for what it is, but still finding beauty in it and in the process of moving.

And then the last stretch, that bittersweet, wistful, exalted arrival at home; not always choreographed to such gorgeous melodies, but a gorgeous moment, nevertheless.

Life, In Between by J. William Young.
 

“For my part, I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move.”
- Robert Louis Stevenson

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Songs for the Road No. 14: Discovering Afro-Brazil Through Banda Didá, An All Female Drumming Ensemble

by Ekua on November 8, 2011 · 6 comments in Brazil,female travel,inspiring adventurous people,movies with movement,race/culture/identity,songs for the road,why i travel

When I look back at the time I spent volunteering in Salvador da Bahia, Brazil in 2006, it seems so natural, so inevitable that I would end up in there at some point in my life. I often forget about what drew me to it in the first place: Banda Didá, an all female drumming ensemble that is based there. Before learning about that group, I hadn’t even heard of Salvador, an Afro-Brazilian city in the northeastern part of the country.

Music as it pertains to social movements or social justice has always been a topic of interest for me. When I came across a documentary called Girl Beat: Power of the Drum, I was automatically drawn by the synopsis. It highlighted the Banda Didá organization and the work it did to empower females of African descent in Salvador.

Banda Didá was powerful. I couldn’t believe this group of women whose hands and arms pounded out the rage of the remnants of European enslavement to the beats of West Africa. At the same time, their bodies moved fluidly and rhythmically and their faces beamed with pride in their heritage.

The documentary revealed another world, one that I had not yet been privy to, but in which I felt I likely belonged: Afro-Latin culture. In mainstream grade school education in the United States, the fact that Africans were enslaved in many other parts of the Americas is often ignored. The vivacious modern cultures of Latin America and the African influence on many of them is often overlooked. At that point in my life, I was vaguely aware of Afro-Latin America, but that was the first time I’d seen it so tangibly.

As the daughter of immigrants from a small West African country, I’d grown up on the periphery of belonging. I’d accepted that position at that point. But Salvador da Bahia seemed like a place where the distinct mix of cultures that went into my creation was very much the norm in a very visible way. And sure enough, it was.

There’s a bit of drumming at the beginning of this, but skip to 1:00 for the good stuff. Those drums are heavy, and these women make dancing with one attached to your hips look easy.

I saw Banda Didá for the first time in person just a few days after I arrived in Brazil. Every Tuesday night from August until Carnival, they have a big party in Pelourinho, Salvador’s historic center. They call it a “rehearsal” for Carnival and it’s an insanely fun night of government sanctioned partying. There are concerts, street food and drinks, and baterias (drumming ensembles) marching down the cobblestone streets.

A drum circle with an intrinsic sense of spirit and all kinds of soul.

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Take Me Back to Old Havana

by Ekua on June 4, 2011 · 6 comments in Cuba,movies with movement

I recently came across this wonderfully honest and beautiful video of scenes from Old Havana. It unexpectedly made me feel like I was in Havana again. It captures what a visit to the city is all about. The main thing to see there is everyday living as is — the resourcefulness and creative solutions, lots of people spending lots of time observing the same things they see everyday, the prominent mellowness and seriousness that sometimes is what it is but can also belie spirited living, the unique characters that isolation develops… some of the things that make it impossible to compare Cuba with anywhere else, some of the elements of Cuba that make it so strange and so enticing.

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