Ghana

When you’re the daughter of immigrants and when you move around a lot as a kid, the idea of “home” can be an elusive thing. It’s not necessarily a stationary location. Home is where you create it or maybe a state of mind. But still, your deepest roots can remain in one place.

I remember when I was 17, visiting Ghana for the first time in a decade and a half; the first time I was old enough to almost grasp the magnitude of it. I remember how foreign it felt at times, and yet there was this underlying beautiful feeling that I was home.

We’d get caught up in markets and streets that were crowded beyond belief. We’d leave the city for a dense tropical landscape I had yet to see before visiting Ghana. The heftiest rain I’d ever experienced would pelt us for an hour before the clouds made way for brilliant sunshine. Rules seemed to be at the discretion of whoever happened to be enforcing them at the moment. Cars made their own lanes and pedestrians walked everywhere but on the crosswalk. The little old women in the village sung and danced around us and all claimed to be an aunt or grandma though few were actually related to us.

How far it was from the places I’d grown up in and how much the culture toyed with my comfort zone. Yet how much it feels like I am created of that place and in some indiscernible way, it will always be home.

Highlife music is my Ghana away from Ghana. The syncopated and improvised drum beats take me to the hectic streets; chaotic but rhythmic. The steady melody of the guitars and familiar chord progressions surround me with thick tropical air and sea breezes and vivid textiles. The lyrics lead me back to a past of struggle and continued struggle that always intermingles with an ability to look on the bright side and celebrate. Highlife’s musical influences from beyond Ghana like calypso, Cuban son, and  jazz speak of leaving the continent, being altered, and eventually returning  to create something unique. Highlife music takes me through my history and never fails to bring me home.

I was inspired to write this post because today is an important day in Ghana. 55 years ago, on March 6, 1957, Ghana became the first Sub-Saharan African country to gain independence. This song, “Ghana Freedom” by E.T. Mensah, was created especially for that day.

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An Affinity for the History of Ancient Civilizations

When I was in 6th grade, we studied ancient civilizations and I was particularly intrigued by Greece, Mesopotamia, and Egypt. The history of these places indulged my imagination.

I remember taking on the more creative humanities projects with fervor. I got into character while creating my idea of what a Mesopotamian newspaper would be like (we had to pretend that there were newspapers back then). With paint pens, I meticulously drew artifacts that were pictured in my history book. I created a colorful travel brochure for the Seven Wonders of the Ancient World and daydreamed about what it might have been like to be able to visit the six that crumbled with time. I made a mini pyramid out of  sugar cubes and painted it gold. I constructed a model of King Tut’s a coffin out of cardboard and starched gauze and made sure I had the eyeliner and the gold and blue details just right.

Back then, I knew that Mesopotamia no longer existed as Mesopotamia, but in my mind it had nothing to do with the country my country had invaded a couple years before. I dreamed of visiting Greece and Egypt, but it never crossed my mind to think about what those places were currently like. My preteen mind was preoccupied with the fantasy, the mythology, the aesthetics of it all.

Over time, my images and ideas of many of those places we studied were refreshed, but Egypt somehow remained ancient and mysterious.

A Brief Encounter with Gaddafi (and His Ridiculously Big Entourage)

I was 17. High school was a recent memory and university was in the not so distant future. I was in Ghana with my family and it was the first time visiting since the first trip I took there 15 years before. It was a visit full of reuniting with extended family and reacquainting ourselves with the landscape, culture, and history of Ghana. We spent a lot of time driving during those weeks, from city to beach to jungle to lake to village.

That summer, there was going to be a summit of African leaders in South Africa. Muammar al-Gaddafi decided to take a road trip from Libya to the conference and make stops in various countries as he made his way down.

He was in Ghana at the same time as us and seemed to be in all the same places as us. He and his entourage thwarted our sightseeing plans in Kumasi and caused sleeping inconveniences in Accra. But the Gaddafi experience that is most strongly embedded in my memory was when we happened to be on a highway that Gaddafi would be driving down later. We came to a point where the police stopped all traffic. We could not go any further, we were stuck in a spot with nothing but grass on either side of the highway. I had to pee.

As more cars began to line up on the side of the road and there was still no sign of Gaddafi, I knew what I had to do. I set off into the grass until I found some that was tall enough to conceal me. I was irritated. I didn’t know then that my squatting experiences on that trip were primers for many similar future squats in locations around the world.

I made my way back to the car and Gaddafi had yet to pass. In the damp and hot summers of Ghana, the air coats you with sweat. As soon as you wipe it off, more layers await, until you find refuge in a cool space. The wait time was too long to keep the car running and there was no shade. The line of stopped cars now stretched beyond our vision. We leaned against the car and waited. And waited.

And then Gaddafi’s entourage finally came. I’ve never before or after seen anything like it. There were scores of vehicles in the convoy — gigantic buses, RVs, SUVs, limos, and helicopters. In the middle of all of it, was a sunglasses-clad Gaddafi, smiling and waving at us from the sunroof of a limo. As if we were his fans. As if.

I was annoyed by the arrogance of his assumption that any of us cared. I was annoyed by the excess of it all. He rubbed me the wrong way, but still, I didn’t think about what that sort of arrogance and excess must mean for the people who had to live under his rule.

The Present

A few months ago, the contractor who is in charge of the renovation that’s happening where I work told me that his next assignment could potentially be in Libya. Images of Gaddafi and his ostentatious motorcade presentation came to my mind, but I realized I still didn’t know much about Libya beyond that.

Recently, I told a friend that one of my many travel dreams is to take an overland trip through Egypt, Jordan, Syria and Turkey (This friend has yet to leave the U.S. and her response was, “Why don’t you ever want to go anywhere normal?!). Even though I know people who’ve been to Egypt, have read stories about people’s recent trips to Egypt, and know that there’s a KFC and Pizza Hut right across from the pyramids, there was still a detachment from modern day Egypt in my travel desires; that fantastical image I had as an 11 year old still lingered.

Then January 25, 2011 broke the reverie and thrust my awareness of Egypt thousands of years forward. And I felt a little sheepish about not even knowing that Egypt was ruled by a dictator.

I’ve been reflecting on my knowledge of the current situations of the countries I’ve visited or want to visit. Certain countries may have a recent history I’m interested in and know a lot about, but for some, I don’t even know the basics. Moving forward, I want to change that. Because part of why I travel is because I’ve always been a hands on leaner. I think my travels could become even more purposeful if I dedicated more time to knowing about a country beyond a period of history that interests me.

And as I look back at my grade school days, I can’t help but wish there was a bridge from the ancient to the modern times, more of an awareness of the world as it is.  But here we are, and current events are bringing my knowledge and ideas of a region out of fragments of memories and antiquity and ignorance under tense and upsetting, but hopeful circumstances.

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Laos was my Southeast Asia savior. I am sure I will delve more into that story at a later point, but I’ll just say that traveling through the country of Vietnam was rough and I’d felt less than welcome there. When I crossed the border into Laos, the immediate mellowness and realness of it was exactly what I’d needed at that point. In the city of Vientiane, with each pleasant interaction, I felt like the country was welcoming me with a gentle, “Sabaideee!”

I was eager to check out Vientiane nightlife scene, so I headed out into town with my guide. We were pretty surprised when we reached the Mekong River’s edge and found a huge festival in progress. Tons of people were out, there were people in costumes riding unicycles, and a band was playing an awesome mix of ska, chanson and punk. When the band finished their set, party music blasted through the loudspeakers.

A song came on and I recognized the percussion beat, and eventually added to that were familiar bass and guitar lines. “No, it can’t be that song, not in Laos,” I thought. But surely enough, as a voice chimed in, I realized it was the song I was thinking it was— Disco Africa, a fairly obscure 70s afrofunk song from Ghana:

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